Karl Briullov
Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.

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Karl Briullov Portrait of princess Mariya Volkonskaya oil painting


Portrait of princess Mariya Volkonskaya
Portrait of princess Mariya Volkonskaya (1805-1863) Date 1842 cyf
Painting ID::  80079
Karl Briullov
Portrait of princess Mariya Volkonskaya
Portrait of princess Mariya Volkonskaya (1805-1863) Date 1842 cyf
   
   
     

Karl Briullov Portrait of Grand Duchess Elena Pavlovna and her daughter Maria oil painting


Portrait of Grand Duchess Elena Pavlovna and her daughter Maria
1830(1830) Medium Oil on canvas Dimensions 265 x 185 cm (104.3 x 72.8 in) cyf
Painting ID::  83009
Karl Briullov
Portrait of Grand Duchess Elena Pavlovna and her daughter Maria
1830(1830) Medium Oil on canvas Dimensions 265 x 185 cm (104.3 x 72.8 in) cyf
   
   
     

Karl Briullov Portrait of Grand Duchess Elena Pavlovna and her daughter Maria oil painting


Portrait of Grand Duchess Elena Pavlovna and her daughter Maria
1830(1830) Medium Oil on canvas Dimensions 265 x 185 cm (104.3 x 72.8 in) cyf
Painting ID::  83206
Karl Briullov
Portrait of Grand Duchess Elena Pavlovna and her daughter Maria
1830(1830) Medium Oil on canvas Dimensions 265 x 185 cm (104.3 x 72.8 in) cyf
   
   
     

Karl Briullov Adopted Daughter Amazilia Paccini oil painting


Adopted Daughter Amazilia Paccini
249x176 cm, oil on canvas. cyf
Painting ID::  83269
Karl Briullov
Adopted Daughter Amazilia Paccini
249x176 cm, oil on canvas. cyf
   
   
     

Karl Briullov Karl Brulloff. Portrait of the Secretary of State Piotr Kikin oil painting


Karl Brulloff. Portrait of the Secretary of State Piotr Kikin
1821-1822. Oil on canvas. cjr
Painting ID::  88065
Karl Briullov
Karl Brulloff. Portrait of the Secretary of State Piotr Kikin
1821-1822. Oil on canvas. cjr
   
   
     

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     Karl Briullov
     Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.

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